Marvelization of Man

This is the first blog in a series discussing the Marvelization of Man’s Mind.

Morbius

After watching Morbius, I felt flat and bloated like I had just downed a Family Sized Package of Cheetos too fast.

MORBIUS – Official Trailer (HD)

Don’t get me wrong, I loved Morbius’ origin story!

The movie is well acted, well executed, and has superb special effects… just as we have come to expect from a Marvelous Marvel Movie… or should I say, just as we have been conditioned to expect?

Perhaps that’s it, Marvel Movies are entirely predictable. In the past 20 some years, they have become perfectly formulated to meet popular tastes. Because of this, we know what to expect, when to expect it, and how to expect it.

Marvel Movies run on well worn tracks of success. Yes, a few have been busts, but on average, Marvel Movies make $715 million dollars per movie with at least half of this gross-income, which means it goes right into the pockets of Robert Iger, CEO, and the Disney-Marvel Cinematic Universe. This has been the case since 2009 when Disney brought Marvel Cinematic Universe from Ronald Perelman who formerly use to pocket the bucks.

The Marvelous Marvel formula has evolved to include hooks and lures about how each newly rendered Marvel character retrieved from the Marvel vault and brought to life on screen will met up and team up with other recently revived Marvel characters for the next Marvelous Marvel movie.

Heck, soon the different Disney universes and their characters might begin meeting up with Marvel, or ever perhaps as, Marvel characters to fight off the bad guys.

Perhaps like this super cool new chic: Tinker Bell Die Hard Predator Ape?

Don’t Mess With the Tinker Bell Die Hard Predator Ape! | These blended characters are all owned by Disney!

Hell YEAH… this might actually BE interesting!

Marvel Characters Are Archetypes

We adore Marvel characters because they are archetypes. They speak to things deep inside of all of us: the Good, the Bad, and the Ugly. Stuff that is really, really hard to speak to each other about in our overly average, highly regimented, very repetitive work, work, and more work worlds.

Mostly we don’t talk to each other about this stuff. It is so much safer (and let’s face it, it is so much easier) to be superficial with each other.

That’s what the movies are made for! Right?!

Movies give us an emotional release and a little freedom from all that stuff pent up and building up inside of us. The stuff we don’t or can’t talk to each other about, at least not on the deepest levels where our wounds usually lay. These are deep interior layers that we can seldom reach without self-expression that can lead to self-realization, if we allow it.

This is what archetypes partly do for us. They help illuminate things inside of us that are vague, mysterious, troubling, or even exhilarating. But things that are hard to put our finger on because they are inside of us and we can’t see them with our eyes. We can only feel them or try not to feel them when they bother us too much.

Archetypes are mental models that give shape and perspective on the shadowy, nebulous, unsettling, fuzzy states and feelings that can overtake us. They do a lot more than this, but for the purposes of this blog I’ll stick to how archetypes provide man with mental models on how to handle and act to feelings rising inside of him and all around him in other people.

Ever since Marvel’s founding in 1939 by Martin Goodman, which was then known as Timely Comics, the characters have been giving shape to man’s collective shadowy feelings and showing us possibilities on how to channel and handle our dim, indistinct inner worlds in our shared outer world.

In 1951, Timely Comics became known as Atlas Comics. It is not until June 1961 that it transforms into the franchise we know it today as Marvel with the launch of The Fantastic Four.

Ever since its beginning, Marvel characters were created to meet a moment. They emerged from the fabric of that time and in the spaces of what was happening in the country or world at that moment. Their creators invented characters who could met the demands and uncertainty of the times in which they were created.

I am sure each creator imbued their characters with the super powers everyone needed at that moment to survive mental through the demands, threats, and catastrophes of the times. That is what archetypes do. They provide strong mental images combined with stories that imbue inspiration, hope, and courage into the hearts and minds of real people who need to meet real life challenges as they navigate the ups and downs of life.

Character     Date Created            Creator(s)

Sub-Mariner | 1939 (Build up to WII)| Bill Everett

Human Torch | 1939 (Build up toWWII) | Carl Burgos

Angel | 1939 (Build up to WWII) | Paul Gustavson

Masked Raider | 1939 (WWII & shifting economics) | Al Anders

Phantom Reporter | 1940 (WWII & shifting economics)| Robert O. Erisman, Sam Cooper

Black Widow | 1940 (WWII & shifting economics such as women working to build war machines and bombs) | George Kapitan, Harry Gahle

Vision | 1940 (Intensification of WWII)| Joe Simon, Jack Kirby

Captain America | 1940 (Intensification of WWII)| Joe Simon, Jack Kirby

Black Marvel | 1941 (Intensification of WWII) | Al Gabriele

Uranian Boy | 1950 (First atomic bomb drop 1945) | Stan Lee, Russ Heath

The Fantastic Four | 1961 (It's the 60s and its Stan and Jack!) | Stan Lee, Jack Kirby 

The Hulk | 1962 (It's the 60s and its Stan and Jack!)| Stan Lee, Jack Kirby

Red She Hulk | 1962 (It's the 60s and its Stan and Jack!) | Stan Lee, Jack Kirby

Thor | 1962 (It's the 60s and its Stan and Jack!)| Stan Lee, Jack Kirby

Spider-Man | 1962 (It's the 60s and its Stan and Steve this time)| Stan Lee, Steve Ditko

Iron Man | 1963 (Cuban missile crisis 1962)| Stan Lee, Jack Kirby, Don Heck

Doctor Strange | 1963 (Cuban missile crisis 1962) | Stan Lee, Steve Ditko

Black Panther | 1966 (Civil Rights Act sign 1965) | Stan Lee, Jack Kirby

                                            -- See full timeline at Wiki

I think you get the idea.

So, What’s Wrong With A Little Marvel Time?!

There is nothing wrong with a little Marvel time.

The issue is much more subtle and pervasive than that. It is not so much that we go to the movies to watch great, big, spectacular dramas that take our minds off our worries or give us a joyful jolt of non-reality.

The issue is rather what we are not seeing when we go to the movies, especially the really BIG blockbuster ones that are highly formulated and super monetized to capture our time and attention.

These blockbuster cash cows act like somewhat steamrollers crushing the competition and funneling more and more money into the pockets of billionaires who own mega conglomerates that control the content and production of multiple franchises and merchandise.

And guess what the mega billionaires want you to do?

They want you to go to see more of their movies and buy more of their merchandise so they make more money.

And we do exactly that… and each time we do, they grow even bigger!

If you’re wondering why Marvel movies all look alike, it’s because of us. It is the way we are choosing to consume them.

I recently learned more about this from Terry Gross’ interview with Lucas Shaw, who is in charge of Media and Entertainment at Bloomberg and writes the Screentime newsletter. He’s the one who made me aware of how much content Disney owns!

But there are a lot of other big Media-Entertainment Titans operating out there too and all of them want to get inside our heads and tickle away some our money that we make working highly automated jobs that require at least 8 hours of our days, 5 days a week.

Sadly, despite popular opinions, most of us do not work in our Dream Jobs! Indeed, most of us must go through the motions 8 hours days doing very boring, tedious, monotonous work. So who wouldn’t want to break free and escape into a Marvelous Marvel movie when it comes out?

But that might be exactly what the super rich want us to feel and react. They can make money from lots of bored people who need to escape from their dreary, mind-numbing, mechanical lives with a Fantastic New Movie!

And, hey wait, you can also escape and feel just like the movie characters feel by buying this splashy new watch or this brand new fancy car or this mouthwatering, very pricey dress. And of course you need the latest technology to go along with all this! You want to look modern don’t you?

All these fancy, enjoyable costly things are there to help you escape from your boredom and ease your burden of living highly repetitive, unvarying, humdrum modern lives.

Lucas Shaw tells Terry Gross how the movie-TV-streaming business is becoming one super long ad promoting consumerism, capitalism, and merchandising by the new Titans of Industry.

SHAW: You know, Barry Diller, I feel like, has been declaring the death of Hollywood for a long time now, so I do take what he says with a little grain of salt. But he's right that the growth of Amazon and Apple, which I would say are now two of the six major studios in town - you know, they've replaced some of the other ones that have been consolidated in the deals that we've talked about - entertainment is not their primary business. And it speaks to maybe the lesser value of traditional film and television in broader culture, where it - so does the fact that YouTube is now bigger than any TV network, that if you - that TikTok is as popular as any streaming service.
You know, film and TV doesn't have the same stranglehold on culture and on youth that it used to. And it's - if I were running one of these traditional media and entertainment companies - running Warner Bros. Discovery, running Disney - it would certainly scare me that two of our biggest competitors don't care about making money from film and TV in the same way because it means that the stakes are lower. The approach is going to be different. And entertainment is just a means of selling something else - in Amazon's case, you know, diapers or books or whatever it is; in Apple's case, phones and other devices. -- FreshAir, July 20, 2023

So my take away from this conversation is that the purpose of movies, TV shows, and streaming platforms are increasingly veering towards a focus on how to keep viewing audiences glued to a particular station-conglomerate, so it can make more money–be that ads, subscriptions, or the super cool merchandise they make, create, and sell.

The Hollowing Out Effect of Money

This hyper-focus on making more money is a major force in hollowing out many Marvel characters. You can read about the reasons why 16 actors are talking about quitting or leaving the Marvel Cinematic Universe here.

The Marvel universe seems to be becoming more one-dimensional and cartoonish as the focus on making another blockbuster and capturing the vast majority of the market take precedence over story. This focus on money has a watering down effect on the characters, making them feel less real, less vibrant, and less inspiring.

They are losing their numinosity, which is what archetypes hold for us. Numinous content gives our lives meaning, content, and purpose. Without numinosity in our lives, we feel drab, automatic, and mechanical.

But maybe the mechanization of man is one of the very objectives these new Titans of Industry seek to create inside of us.

If we are continually feeling unimportant, unremarkable, and unnecessary in keeping the clogs of industry running in the world, then we need to compensate for our super small roles in society.

How else can we wake up each morning and go out to do our boring, repetitive jobs?

So a good Marvel Movie is a great antidote to not feeling like a machine!

But, don’t get too caught up in the marvelousness of a Marvel movie! That would be going too far in our highly mechanized modern world.

If you do happen to believe Marvel characters are real and you look up to them and draw hope and courage from then (like any good archetype should do), then you will get laughed at because we are not really suppose to identify with them anymore. They are simply entertainment.

We watch them, then we get up the next day and go back to work to make some money so we can go watch the next amazing Marvel movie coming out soon because there was that little teaser at the end!


Another troubling result of the Marvelization of Man is that Marvel movies are impacting how other movies are made or even more importantly, NOT BEING MADE.

With great big, super blockbusters with BIG special effects (like Marvel, Star Wars, Avatar), more and more people only go to theaters to see these on the silver screen. They don’t show up for the “other movies” being made and trying to survive in an increasingly one-dimensional entertainment universe.

Basically, every studio wants a piece of the action in this “shared universe” business.
But it’s hard to argue that any of them have been as successful as Marvel has.
Kevin Feige’s ambitious plan (which resulted in him being named President of Marvel Studios and reporting directly to Disney CEO Bob Iger) has fundamentally changed the way film studios approach properties. Certainly, a creative idea which allows for iteration upon iteration, sequel after sequel after spinoff after prequel, to be produced is appealing to every studio executive. -- The Marvelization of Movies |  / FILM TALKIES

This effect is drying up the field of creativity for the creation, production, and life of other types of movies that deal with difficult but really important stuff such as Women Talking:

The women of an isolated religious community grapple with reconciling their reality with their faith. Though the backstory, we see a community of women come together to figure out how they might move forward together to build a better world for themselves and their children. Stay and fight or leave. They will not do nothing.— Official synopsis
WOMEN TALKING | Official Trailer

Or like the Fabelmans:

Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.

It is lpLoosely based on Spielberg's childhood growing up in post-World War II era Arizona, from age seven to eighteen, a young man named Sammy Fabelman discovers a shattering family secret, and explores how the power of movies help us see the truth about each other and ourselves. —Toronto International Film Festival

He also encounters antisemitism and bullying, which is a very important issue that deserves far more airtime in our current culture and polictical climate.
The Fabelmans | Official Trailer [HD]

Or going back even further to the time of radio like Suspense: Report From A Dead Planet

Report From a Dead Planet – Suspense | A spaceship lands on a beautiful world and finds that all the inhabitants have vanished.

Another thing that struck me while watching Morbius is that really talented actors are playing pretty superficial, very simplified characters.

Matt Smith for example is the villain in Morbius. He is great as the villain, but his performance leaves me feeling empty. He is a really talented actor! Why don’t I feel more from his performance in Morbius?

Because I’m not supposed to?!

His super villain in Morbius is pretty vanilla compared to his roles in Season 1 and 2 of The Crown, The Last Night in Soho, and my all time favorite The Doctor of Doctor Who.

Also, Jared Leto who plays Morbius struck me as a super talented actor as well. I haven’t seen him before. He does a great job playing Morbius. In fact, he imbue more life into Morbius than the role allows.

I think Quentin Tarantino sums it up pretty well when he said: “Marvel Actors Are ‘Not Movie Stars’

Tarantino previously said that he would not want to direct a movie for Marvel Studios for the simple reason he is “not a hired hand.’ As someone planning to direct just ten movies in his career, and with only one of those to make up the number, it is probably not surprising that the Pulp Fiction helmer would want to concentrate on his own ideas. When it comes to the MCU, the director says that the franchise does not contain any “movie stars” as the characters are all people want to see. He said:
“Part of the Marvel-ization of Hollywood is… you have all these actors who have become famous playing these characters, but they’re not movie stars. Right? Captain America is the star. Or Thor is the star. I mean, I’m not the first person to say that. I think that’s been said a zillion times, you know, but it’s like, you know, it’s these franchise characters that become a star.” -- Quentin Tarantino Says Marvel Actors Are 'Not Movie Stars'
BY
ANTHONY LUND
PUBLISHED NOV 22, 2022
Quentin Tarantino has been vocal about his feelings regarding the Marvel Cinematic Universe, and it looks like he isn't quite done yet.

So What?

I will still watch Marvel movies.

But I will seek out and watch more different movies that leave an impression in my psyche and make me think about the world in ways I might not have before.

I will continue to gravitate to movies where BIG ideas are explored rather than BIG action but increasingly hallow characters dance across the screen.

I want something that satisfies my imagination and feeds my psyche, because feeling alive and not like small cog in a BIG machine is important to me, and only I can change my perspective and the way I feel about things.

Stories and movies feed my imagination so I can feed and grow my soul.

Stay tuned for this series because I am going to go deeper into the effects and impacts of living in our super consumerism society on man’s mind.

For now, maybe the Oppenheimer-Barbie movies will provide a reprieve from the Marvelization of Man’s Mind.

Introducing Atomic Barbie | The New Super Hero We Didn’t Know We Need!

Archetypal Animations

I made all images with Genolve using AI generated images, specifically Midjourney, this time. So I am just listing the songs used in the above animations.

Feature Archetypal Animation: Nowhere but Up | [3] Break the Chain    4:53

WYR GEMI – Predator | Music for Tinker Bell Die Hard Predator Ape!

Mary Poppins Jedi Master Archetypal Animation:

SUPERCALIFRAGILISTICEXPIALIDOCIOUS (Clean Version)209TONYTONY

[1] SUPERCALIFRAGILISTICEXPIALIDOCIOUS    3:02

Barbie Archetypal Animation:

Summer Nova All Atomic

[1] Summer Nova    5:18

The Northman

The Northman really resonated with me. And I know, I’m one year behind its debut. I am often behind the wave of popular culture tending to wait for a time that feels right to me to engage in the drama or story being presented–be it through movie, book, or song.

Often when I do this, the timing coalesces with my own creative work and the act of watching a drama or reading a story feds my inner world. I think creative works no matter what time, place, or culture have always served to feed our inner beings and to strengthen the invisible realms we all inhabit because we are sentient, self-aware living beings.

Circle of Sacred Creation

When we watch, read, or listen to any act of creation, we complete the circle of the sacred act of creating. This sacred circle of creating is something humans do that empowers us to master and control the world in ways no other living beings have done on Earth.

Throughout most of human history this sacred circle of creativity was revered and highly valued for every group of humans struggling to survive understood the transformative power of symbols. They understood how symbols can awaken and transform human consciousness. They knew the power of collective human endeavor, and they could feel how collective cultural symbols galvanized collective will.

However, this process of creative completion has been dreadfully downgraded in our Modern Age. We have cheapen it by slapping monetary values onto creative workd determined by arbitrary values such as how much money a movie made on its opening weekend.

This is true of books and songs too, while paintings and sculptures still get a pass tending to gain monetary value over time rather than lose it. However, collective judgements are made on these works too. Judgements that determine which works of art get displayed in museums or galleries as worthy of the public’s attention. Judgements that are often heavily laced with biases such as race, social status, gender identity, religious identity, or any other label we want to throw on people.

Monetary value of creative works tends to act like a rating system or popularity contest. It is a sign of our time. A time when hard-working, ordinary men and women are stressed, over worked, under paid, in constant fear of losing their jobs, and 10,000 other things all modern people must pay attention to survive in a modern civilized society. So it is no wonder people need distractions to silence a restless inner feeling that something is terribly amiss, awry, unsatisfactory, adrift, and completely out of order in our lives.

Since we don’t have time to wonder why we feel this way, we try to distract ourselves from this unpleasant feeling or any unpleasant feeling we may have in the course of living our overly sped up lives in our overly complicated societies.

In search of the next fix, the next distraction, most modern people don’t have the time or energy to complete the creative circle by digesting what they have experienced. The creative thing is reduced to its most superficial qualities and forgotten as the hungry collective searches for the next big blockbuster thing.

Synchronistic Perfection

So, I missed the crashing wave of The Northman that debuted in 2022. It is a Nordic tale about Prince Amleth who witnesses his father’s murder by his uncle Fjölnir who lusts for the throne and his mother. It sounds like Hamlet or even the Lion King, but this story is much older than both. This story is the cradle from with Hamlet and the Lion King emerged.

Young Prince Amleth narrowly escapes his own death and is forced to flee his Icelandic homeland. The story fast-forwards 20 years to a grown Amleth who is a warrior of a Viking Raiding party making its way up a river to raid a Rus settlement. These are other Vikings who settled in the area that we now call Russia. In fact, Russia comes from Rus.

But the timing for me watching it just shy of the United State’s 4th of July holiday weekend, is a matter of synchronistic perfection. This July 4th weekend marks 5 years since I had a chance to save my father, who was also a Northman.

I had an intense feeling around this time 5 years ago that I should hop on a plane and go see dad. I did not because my husband had just left to go deal with his narcissistic mom playing her narcissistic games with her children. Our daughter had just graduated from high school and I didn’t want to leave her alone her last summer home before going to college.

By this time 5 years ago, I had submitted two huge government proposals for a small religious-based non-profit that had previously not had the where-with-all to write or submit government proposals. In less than one year, I had submitted 3 big government proposals and countless other foundation and local government proposals for them. I had not taken any time off since being hired and had accumulated 89 hours of unpaid time I had worked above and beyond the measly 40 hours per week I was paid.

The only catch is my father wouldn’t make it to September 2018 because he would have a massive heart attack later in July. First responders would revive him after 15 minutes of resuscitation efforts and he would be flown to the Mayo Clinic where he would survive 10 more days before dying.

The day after his heart attack, I was by his side and would not leave it until he died. Indeed, I had to make the call to remove lifesaving support and I would be with him when he died. And he had almost made a full recovery, only to not make it.

I won’t retell the tale here. I fully account this terrible time here:

Celestial Tendencies

I would be fired by the CEO of this religious organized where I worked for being with my father when he died. This moment marks a downward spiral I barely survived.

Sláine

When dad died, I was working on the backstory for one of the 7 Warrior-Priestesses that are part of an epic novel I have been writing since 2012.

My story is not published yet, but this did not stop me from working my story’s timeline forward and backwards. Sláine is a young orphan girl raised by nuns living in Ireland during the mid-800s—a time when the Vikings were plundering and raiding much of Europe and beyond alongside the growing strength and influence of the Catholic church.

In fact, I as reading my new work to dad when he died. I had a vision earlier that morning that I should read to him my story and tell him that it was a sled pulling him across to the other side where his mother and brother and other loved ones were waiting for him.

I told him that he could leave any time and that I would read for as long as he needed. I didn’t think he would die that day. But he did. He departed just after I finished the chapter about Easter.

Sláine — The 4th Warrior-Priestess

The Northman & the Nordic Legends

I had been doing tons of research on life in the 800s C.E., especially Nordic life. So seeing The Northman’s time stamp of A.D. 895 definitely caught my attention and it felt eerily similar to what I had been dreaming into my own story of Sláine and what happened to her when Viking raiders came to her convent in the early 800s.

Since I am rushing to watch as many DVDs as Netflix can send me before they stop sending DVDs in the mail, I happen to watch the cut scenes and interviews with Robert Eggers (writer-director), Alexander Skarsgård (actor who plays the grown Amleth, and others involved in the making of The Northman who included historians and museum specialists.

I was struck by how much time and care they took to recreate the known details of Nordic life and culture during this time. The Northman is as much a historical accounting of European history as it is a creative act of entertainment. It does not reduce Nordic raiders to savage brutes but rather gives critical cultural context to why they did the things they did and how it fit into their collective culture beliefs and worldview.

Indeed, if you are paying attention, the people and civilizations depicted from this time are incredibly violent. It is a time of Viking history dominated by male violence, greed, and revenge. No wonder Viking warriors wished to be killed in battle because if they did not die there, they were sure to be picked off by one of their own like what happened to Amleth’s father.

Mashables writes about The Northmen:

"...the friction between man and beast, and the beast within...how you're trying to hold onto your civility and your humanity but the animal comes out,” says Skarsgård. "Some of them it just explodes out of the body, and that reminded me a lot of that transformation, that scene in which Amleth sheds his humanity and becomes Bjǫrnúlfr (or 'bear-wolf'). The beast comes out and he doesn't try to fight it but actually lets it out, which was quite a trip."
Of course, this level of unleashing the beast comes with some uncomfortable modern associations, and The Northman is, in a sense, an examination of Viking men (among weirdly pristine women), and masculinity. Price has written at length on Viking masculinity, noting in an article(opens in a new tab), "Beyond the stereotype, there is a cold truth to Viking male violence. At the height of the 9th-century raids, Viking armies shattered the political structures of western Europe: the loss in blood and treasure was immense, thousands were violated and enslaved. There were parallels at home, too, not just in the form of civil warfare between rival petty-kingdoms, but also in domestic violence...Today there are those who tend to glorify the Vikings in their male, militaristic incarnation, but this is a mistake; they were no heroes, at all."
"The thing is that they do terrible things and they are seen to do terrible things, and that's important," Price tells Mashable of The Northman. "Robert and I talked about this a lot. I personally really don't want anybody to come out of that scene and want to be a Viking." 

    -- Robert Eggers film. In an age of Viking myth overload, the film doubles down on the details. By Shannon Connellan for Mashable on April 20, 2022

This is such an important point that cannot be emphasized enough. But the problem today is that we DO want to BE like them.

The Heinous Crime Modernity Refuses to Admit

In our rush to become a civilized, modern world, humanity has committed the most heinous act of violence of them all. It is more heinous than Vikings Berzerkers ever committed in their altered states of animal consciousness.

Image from: Mashables | How accurate is ‘The Northman’ to Viking history? Well, it’s a Robert Eggers film.
In an age of Viking myth overload, the film doubles down on the details.
Alexander Skarsgård stars as Amleth. Credit: Aidan Monaghan

Western Civilization is particularly guilty of this crime, but all modern civilizations suffer from this transgression. It is a point of view that has steadily invaded and infected pretty much every human being trying to survive in the modern world.

Alan Watts says it best:

And indeed, there is a point of view which occurs in certain forms of paranoia, where people don’t seem to be real. They are mechanisms, and you can think that out quite intensely with a good deal of intelligence. After all, if you start from a good old Darwinian or Freudian basis, and see that man is a material machine, and that the consciousness of man is simply a very involved and complicated form of chemistry, and that’s what it is, you see? Well, then these awful mechanical things, these Frankensteins that everybody is, they come around and they say, “Well, I’m alive. I’m a human being. I have a heart, I love, I hate, I have problems, I feel.” And you feel like saying, “Come off it! You’re just a monster, and you put on this civilized act because, really, you’re just a set  of teeth on the end of a tube, and got a ganglion behind those teeth which you call your brain or your alleged mind.” -- WEB AS MUTUALITY | Out of Your Mind Series | Library of Consciousness
And this thing is really, basically, there for two purposes: one, to be cunning enough to get something to eat, to put down the tube, and the other—you know what—Mr. Freud’s libido. And everything else, you see, can be construed as an elaborate, subtle way of pretending that that’s not really what you want to do. But you do, but you put on a great show. Now some people, according to this view, get mixed up. They so repress that what they really want to do is to eat and to screw, that they get involved in higher things that are the masks for these activities, and think that  that’s the real purpose of life. And then they become what’s called neurotic, because they get involved in being pure camouflage. So that’s what’s called escaping from the facts: not looking at life, not looking at reality correctly.  -- WEB AS MUTUALITY | Out of Your Mind Series | Library of Consciousness

This Modern point of view permeates the Modern Mind and provides cover for plausible deniability of who we really are as human beings.

Cartoon from: County Auditor Speaks Out Part VIII Plausible Deniability?
Posted on  by seabreezeeditor

We are the creators of Heaven and Hell. We choose what each and every day that we live and breathe what we are going to bring into this world or not allow to grow. And we, the Good People of Earth, have developed the capacity and power to annihilate ourselves and all life on Earth.

We are the Devil and we are the Almighty God himself, but we pretend and play at being Poor Little Old Me!

Alan Watts – Poor Little Me

This way of being in the world has been long in the making. It is the rippling effect of thinking too much, of ripping the world into opposites and colliding into our self-made polarized ideas and beliefs over and over and over again.

The Universe as a dumb thing that must be dominated and controlled (the mindset destroying Earth Now) is a counter reaction from the overbearing influence of religiosity, which really took root and grew into a Titanic force in the civilizations of the Fertile Crescent and EuroAsia that have been jostling for survival and supremacy for more than 5,000 years.

In all this jostle, civilizations found religions provided a powerful galvanizing glue that held together the power and authority of a king or an emperor. A ruler could imbue legitimacy to his rule not only through laws and armies, but through the Gods themselves. This was a powerful way to bind together burgeoning cultures and civilizations that were growing larger and larger.

The problem all rulers face as their kingdoms grew bigger and bigger was how to keep everyone on the same page. Every intelligent ruler understood that if the people of his or her kingdom began to crack and fracture into opposing fractions, his/her power and authority would eventually fall victim to the fracturing and fragmentation of the civilization, unless unity could be restored.

But with the advent of highly successfully civilizations, it was getting harder and harder to get everyone to hold the mold and stay on the same page as group. Rulers use many devices to hold the mold of their societies and civilizations, but by far one of the most effective is Collective Beliefs, especially spiritual and religious beliefs.

But, in the early days of civilizations there were so many Gods and Goddess one could pay homage to, and if a ruler selected one to honor above another, he/she would inevitably alienate an important group of people needed to keep the unanimity of the kingdom or civilization and alienation can rapidly lead to loosing control of one’s power, authority, and supremacy.

I write about this in great detail and depth in Book 1 of Sapience Series (look for it 4/24/24), but long story short, it was really convenient for the ancient rulers of pre-Christian civilizations to winnow down the Gods to just ONE. The first ruler to do this is Akhenaten who got rid of all the other ancient Egyptian Gods and Goddesses claiming that Aten is the one and only God, all others are blasphemous, and that he was the one and only chosen son of Aten, represented by the solar disc of the sun.

This was a powerful claim that pissed a lot of people off way back then. When Akhenaten and his beautiful queen Nefertiti died, probably due to plague, the people and the priests abandoned his brand new city built by children appropriated by his kingdom and did everything possible to wipe his memory from Egypts memory.

But the one God would return again and again through the Zoroastrianism, Judaism, Christianity, and Islam. These are the biggest ones with Judaism, Christianity, and Islam dominating the modern world. But there are others including Baha’i Faith, Rastafari Movement, Sikhism, Vodou, Eckankar, and Tenrikyo.

One God unifies all the people of a kingdom or an empire under one king or empire under one celestial and holy authority and this is a powerful thing.

In the story I write, I explore the collision and confluence of polytheistic and monotheistic beliefs in great detail, and when I get to Sláine, I explore the collision between the violent Viking Berzerkers and passive Catholic Priests. It is a colossal clash of opposites that will send shock waves through the centuries.

Indeed, we are still reverberating from this collision, perhaps most especially today.

Christianity Eventually Subdues the Viking Beast

The Catholic priests do suffer for centuries. They are killed, enslaved, and their riches taken by the Vikings for several centuries, but eventually Christianity tames and subdues the Viking beast.

This period of time of Nordic history is beautifully written about by Sigrid Undset in her three part series entitled Kristin Lavransdatter: The Bridal Wreath, The Mistress of Husaby, and The Cross.

Image 1: Albertus Magnus Institute | 7 lesson course about KRISTIN LAVRANSDATTER:

This course will focus on the novel "Kristin Lavransdatter", in three volumes 1920-1922, by the Norwegian Catholic writer Sigrid Undset. We will read the novel with reference to Undset's life and other work. "Kristin" is one of the greatest Catholic novels yet written, and it's popularity reignited after its second translation into English by Tiina Nunnally whose edition we will be reading. It's strongly recommended students read as much of the novel ahead of time as they can. The trilogy has nine parts, three per volume, that we will be treating in eight classroom settings. The Nunnally translation is available both in paperback and Kindle. 

Image 2: The Flying Inn: blog posted by Rick Davis:

In pursuit of my interest in all things relating to the history of Northern Europe, and on my wife’s strong recommendation, I read Kristin Lavransdatter, a trilogy of books written by the Norwegian author and Nobel laureate, Sigrid Undset. Comprised of The Bridal Wreath, The Mistress of Husaby, and The CrossKristin Lavransdatter is an unusual work of literature. It looks back on the medieval period without the romanticism of many fantasy authors while also avoiding the stark ugliness which characterize many modern “realistic” portrayals of the Middle Ages. In other words, while being a firmly modern writer, she comfortably and capably depicts the time period as it was in accurate detail without feeling the need to push an agenda on the medievals in her portrayal.

If you have not read these stories, I highly recommend them. They honestly portray the positive and negative consequences of this transformation of Nordic culture from mysterious, mythical, pagan beliefs into modern Christian sensibilities and beliefs.

Now my father was a Lutheran minister as was his father and my other grandfather and many of my uncles. Both sides of my family are devout Christian Norwegians. And both sides have done many things that have brought comfort to others who are suffering.

But there is a price for all this goodness. And the price is cutting oneself in half. To be a good Christian, I would be taught early on that I must identify everything bad in me and suppress it. Even better is deny the existence of the beast inside me… the Devil… the very fiend that ancient Vikings clearly knew lived inside of them and called upon to conduct their violent conquests.

And this is a very dangerous thing to do… because if you aren’t the Devil or the dangerous beast… then someone else has to be it because the world is both Good and Bad. Alan Watts calls this duplicity in man’s mind out too.

“Superior virtue is not conscious of itself as virtue, therefore it is virtue. Inferior virtue is conscious of itself as virtue, therefore it is not virtue, it is hooked on being virtuous.”

Alan Watts, Swimming Headless
Alan Watts – The Road to Hell is Paved with Good Intentions

Inferior virtue can’t let go of virtuethus not virtue.” — Alan Watts

Watts often says that wars conducted for purely selfish reasons are merciful wars because the raiders want to enjoy the goods of the people they are invading. They want to take their treasures and enjoy their women, and because of this they will not destroy everything.

But wars conducted in the Name of God, or even worse, wars waged by men who claim to be chosen by God and therefore they are waging a righteous war, or even more worse than this, men who believe themselves to a God and they are bringing in a superior, better world, these kind of wars are the most brutal, most merciless, most destructive wars ever conducted by mankind.

When you hear someone invoking the Name of God to legitimize an idea, a cause, a belief, a political party… you should run!

These people are not doing this thing or touting that belief in the Name of God! They are doing this for their own personal Power and Glory!!! They are doing it to get inside your mind! And once inside, the will control you like a hungry Monster!

There have been many monsters like this since the dawning of our gleaming, golden modern age! Monstrous, modern men who have engage in the the most gruesome, heinous Virtue Wars.

All of them have conducted in the name of some God–be it the Holy God Almighty or the God of Ideas (man’s petty, polarizing ideas that they believe will bring glory to the nation, which is really double speak for Power and Glory to themselves). Virtue wars are the bloodiest, most violent, most merciless, most catastrophic wars ever conceived and conducted by mankind.

Each generation of men seems to breed a more hideous monster, and there have been many: Adolf Hitler (Germany 1934-1945), Joseph Stalin (USSR 1924-1953, Idi Amin (Uganda 1971-19790, Pol Pot (Cambodia 1975-1979), Muammar Gaddafi (Libya 1969-2011), Saddam Hussein (Iraq 1979-2003), Benito Mussolini (Italy 1926-1943), and the list goes on and on… to reign terror, destruction, and death on scales never before achieved by one man or one brutal bunch of people.

Top 10 Ruthless Dictators by Watchmojo

In some ways, the Vikings were simply more honest about their violence. Today, we glorify their violence while pretending to be Modern, civilized, virtuous beings who know how to make the world a better place.

In fact, they are the only ones who know and they will kill you if you don’t believe them!

This is the world we live in now.

My Dad Was A Northman Too

My dad was a Northman too. He was a civilized one…a man of the cloth…but he had suffered early in life…and he doubted his faith greatly throughout his life, especially as he bore witness to the monstrous things man was doing to his fellow man.

He knew he could not correct the malfunctioning mentally leading to our great destruction as a species, but he did what he could with what he had wherever he was. And he remembered his roots. He knew he was capable of good deeds and bad deeds. Because of this he did not shame and blame others. And because of this, he could truly be with people and comfort them at their times of greatest need and suffering.

Feature Archetypal Animation

Image from: Robert Eggers film. In an age of Viking myth overload, the film doubles down on the details. By Shannon Connellan for Mashable on April 20, 2022

Image from: Robert Eggers film. In an age of Viking myth overload, the film doubles down on the details. By Shannon Connellan for Mashable on April 20, 2022

The other images were made with AI Image Maker on Genolve.

Music: Viking Music: Rurik : Pawl D Beats [1] Viking Music: Rurik    3:10


Second Archetypal Animation

All images made using Midjourney AI Generated Images on Genolve

Music: Run Boy Run by Snake City