#deceit Archives - Sapience: The Moment Is Now

October 3, 2023October 3, 2023

The Enigma of Coexistence | Part 6: The Marvelization of Man

This blog addresses the last section of chapter 5 in Joost Merloo’s The Rape of the Mind.

Now we are getting into the nitty gritty stuff of why we need strong archetypal characters and stories, especially now. We need them because we live in a time chock full of improbable characters playing as if they are super heroes, but really they are just playing insidious tricks on our minds so they can get our money or get power.

And if they do get enough power, they are going to take everything from you (Yes, even if you supported them, especially if you supported them!)

And also as if we need even more examples of why we need to strengthen our minds against frauds and fakesters, just the other day, David Gura spoke with Zeke Faux of Bloomberg News and New Yorker staff writer Sheelah Kolhatkar about the trial of Sam Bankman-Fried who is the disgraced founder of the cryptocurrency exchange FTX.

This part of the interview is exactly what Joost Merloo is writing about here and why I am highlighting in this blog: We are suckers for people with money. We are even worse suckers for people who pretend to have money!

Pay attention:

GURA: For people who haven't invested in crypto, haven't dabbled in this world, don't know Sam Bankman-Fried, don't know what FTX is, why is this story, why is this alleged fraud so important and such a big deal?

KOLHATKAR: This is an old story, to some extent. This is a story about, you know, an ostensible genius who happened to be very young, lauded by the press, you know, worshipped by Silicon Valley, who was allowed to go out and behave in, ultimately, a reckless way with other people's money while people turned and looked the other way. And, you know, lo and behold, things were not as they seemed. Something was seriously wrong, and it resulted in a, you know, terrible amount of pain and destruction and financial losses.

And this arc, this narrative arc, is something we see over and over again, particularly in sort of hot, new tech companies where you often have these young men who are just empowered to go out and behave recklessly while they try and grow their companies. And then, of course, we figure out afterwards that they were cutting corners or fraud occurred, and, you know, there's all sorts of pain and recrimination. And you don't have to care about crypto to care about the outcome and the question of whether justice is served in this case.

-- The fall of crypto | All Things Considered, NPR

The Enigma of Coexistence

Is it possible to coexist with a totalitarian system that never ceases to use its psychological artillery? Can a free democracy be strong enough to tolerate the parasitic intrusion of totalitarianism into its rights and freedoms? History tells us that many opposing and clashing ideologies have been able to coexist under a common law that assured tolerance and justice. The church no longer burns its apostates.

*Coexist* | **Music**: Coexist — The xx — Chained

Before the opposites of totalitarianism and free democracy can coexist under the umbrella of supervising law and mutual good will, a great deal more of mutual understanding and tolerance will have to be built up. The actual cold war and psychological warfare certainly do not yet help toward this end.

To the totalitarian, the word "coexistence" has a different meaning than it has to us. The totalitarian may use it merely as a catch-word or an appeaser. The danger is that the concept of peaceful coexistence may become a disguise, dulling the awareness of inevitable interactions and so profiting the psychologically stronger party. Lenin spoke about the strategic breathing spell (peredyshka) that has to weaken the enemy. Too enthusiastic a peace movement may mean a superficial appeasement of problems. Such an appeal has to be studied and restudied, lest it result in a dangerous letdown of defences, which have to remain mobilized to face a ruthless enemy.

A tragic example of this is what happened to Khasoggi five years ago today.

**Image from Morning Edition – NPR**: Saudi journalist Jamal Khashoggi was killed at the Saudi consulate in Istanbul on October 2, 2018. Five years on, there has been little accountability — and human rights groups say that has implications for free expression around the world.
*Ozan Kose/AFP via Getty Images*

As I write this blog, today is five years since Jamal Khashoggi with murdered and mutilated. Rachel Treisman opens this segment saying:

Jamal Khashoggi — a Saudi dissident who lived in Virginia and wrote for the Washington Post — walked into the Saudi consulate in Istanbul to obtain documents for his upcoming marriage. He never came out.

Khashoggi, 59, was dismembered, and his remains have never been found.

U.S. intelligence later determined that a team of 15 Saudi agents had flown to Istanbul to carry out a "capture or kill" operation approved by Crown Prince Mohammed bin Salman (MBS).

What strikes me as particularly pertinent to what Joost Meerloo is saying above is what Khashoggi’s friend and collegue Washington Post columnist David Ignatius says:

It's undeniable that there have been major changes in Saudi Arabia in the last five years, Ignatius notes.

For example: The government lifted a ban on women driving months before Khashoggi's death in 2018; now women "mix freely in Saudi society with men," including at music festivals. It stripped the "religious police" of their privileges, which led to many women no longer wearing the hijab in public.

Saudi Arabia and Israel have hinted they are open to establishing formal relations, which Ignatius says is something he never thought he'd see in his lifetime.

"It would be wrong not to credit those changes," Ignatius said. "What bothers me is that those changes have been implemented essentially by force ... We should understand that this is a modernizing dictator. And there's always the danger that citizens of Saudi Arabia could be thrown into prison if they disagree with him."

If you are interested in this topic, you should listen to the whole interview. It is only 3 minutes; time well spent to understand the complexities of our time and how what looks like a good thing or even a GREAT things, might be a very poisonous thing for our psychological reality.

Back to Joost and The Enigma of Coexistence:

Coexistence may mean a suffocating subordination much like that of prisoners coexisting with their jailers. At its best, it may imitate the intensive symbiotic or ever-parasitic relationship we can see among animals which need each other, or as we see it in the infant in its years of dependency upon its mother.

In order to coexist and to cooperate, one must have notions and comparable images of interaction, of a sameness of ideas, of a belonging-together, of an interdependence of the whole human race, in spite of the existence of racial and cultural differences. Otherwise the ideology backed by the greater military strength will strangle the weaker one.

Peaceful coexistence presupposes on BOTH sides a high understanding of the problems and complications of simple coexistence, of mutual agreement and limitations, of the diversity of personalities, and especially of the coexistence of contrasting and irreconcilable thoughts and feelings in every individual of the innate ambivalence of man. It demands an understanding of the rights of both the individual and the collectivity. Using coexistence as a catch-word, we may obscure the problems involved, and we may find that we use the word as a flag that covers gradual surrender to the stronger strategist.

Page 72 — Chapter 5: The Rape of the Mind by Joost Meerloo

Do you think the United States’ Congress has a high understanding of the problems and complications of coexistence? Given the recent fight over funding the US government and now Matt Gate’s stunt, it seems we need divine intervention to help guide us weaker minded souls in just remembering how to compromise and get along together.

***Go to Your Corners*** | **Music:** Donkeys & Elephants by Somr

“In the majestic Halls of Congress, God ushers elephants to one corner and donkeys to another, bestowing upon them a much-deserved respite.“

Archetypal Animations

Images made on Genolve using AI with music for each animation as follows:

Feature Archetypal Animation

Music: The Greatest Showman (Original Motion Picture Soundtrack) — Various Artists — The Greatest Show

First Archetypal Animation

Music: Coexist — The xx — Chained

Second Archetypal Animation: Donkeys & Elephants by Somr

September 23, 2023September 23, 2023

Indoctrination Barrage | Part 5: The Marvelization of Man

Introduction: Reminder Why We Need Strong Super Hero Movies

I found a great article on Harrison Ford in Esquire where the writer Ryan asks Harrison what he thinks the point of stories are for people. Harrison answers:

“I guess the point is, these stories we see—movies, novels—we look for ourselves in these characters and these stories,” I say, rebooting.

He nods. “We look for ourselves, and we look for useful information to help us navigate our fucking lives and the world that we’re living in,” he says. “We don’t realize we’re looking for that. But we’re looking to pull out of a fantasy something that’s useful to us. And what’s useful to us is to emotionally participate in things outside of our own lives.” 

-- Esquire | Harrison Ford Has Stories to Tell |Yeah, Indiana Jones is back. But enough with the legend stuff. We spent two days in L.A. with Ford—in his airplane hangar, at his house—drinking bourbon and talking about what really matters in life. By Ryan D'Agostino | PUBLISHED: MAY 31, 2023

*Hans Solo & His Poached Egg* | **Music**: Poached Egg by The Namby Pamby

To understand the animation of Hans Solo and his poached eggs you need to read the article in Esquire. In short, Harrison Ford is a super hero archetype actor. He’s acted in Star Wars (no date needed!), Raiders of the Lost Ark (1981), Blade Runner (1982), Witness (1985), The Mosquito Coast (1986), Working Girl (1988), Presumed Innocent (1990), Patriot Games (1992), The Fugitive (1993), Clear and Present Danger (1994), Air Force One (1997), and Marvel movies as the President of the United States, and more.

Harrison knows better than most why we like and need stories in our lives. He’s acted in a bunch of them after all where it is his job to depict Arches of Consciousness. That is what stories and movies are all about. And as Arches of Consciousness, every arch has a light side and a shadow side. Just as human beings do and this is because we get to decide what side of an archetype we act upon. Our super hero movies and modern stories, just like ancient myths, depict what happens to human beings when they choose to act on one side of an arch or the other in constantly changing situations, which is the position we all find ourselves in as conscious living beings throughout our lives.

*Arches of Consciousness* | **Music**: Stream Of Consciousness — Coherent Energy

Stories are short cuts to consequences, karma. And karma is nothing more than the consequences of conscious choices made by human beings. Stories show us what might happen when we choose to act using one side or another side of an Arch of Consciousness or if we only choose to act using a very narrow spectrum of our full conscious capabilities.

The Indoctrination Barrage

So let’s get back to the meat of consciousness and why we need to pay attention and use our minds critically every moment of every day. We need to do this work of critical thinking, which is how we work out our consciousness, to stay healthy and free. We need to work out our minds just like we need to work out our bodies to stay healthy and live a long life.

Here is the next section of Joost A. M. Meerloo’s landmark book The Rape of the Mind, Chapter 5: The Indoctrination Barrage, beginning on page 71.

The continual intrusion into our minds of the hammering noises of arguments an propaganda can lead to two kinds of reactions. It may lead to apathy and indifference, the I-don't-care reaction, or to a more intensified desire to study and to understand. Unfortunately, the first reaction is the more popular one. The flight from study and awareness is much too common in a world that throws too many confusing pictures to the individual. For the sake of our democracy, based on freedom and individualism, we have to bring ourselves back to study again and again. Otherwise, we can become easy victims of a well-planned verbal attack on our minds and consciences.

***We Don’t Need No Education*** | **Music**: *We Don’t Need No Education* — Regent Street

We cannot be enough aware of the continual coercion of our senses and minds, the continual suggestive attacks which may pass through the intellectual barriers of insight. Repetition and Pavlovian conditioning exhaust the individual and may seduce him ultimately to accept a truth he himself initially defied and scorned.

Pavlovian Conditioning | **Music**: The Chain (cover) — Marvel Years

The totalitarians are very ingenious in arousing latent guilt in us by repeating over and over again how criminally the Western World has acted toward innocent and peaceful people. The totalitarians may attack our identification with our leaders by ridiculing them, making use of every man's latent critical attitude toward all leaders. Sometimes they use the strategy of boredom to lull the people to sleep. They would like the entire Western world to fall into a hypnotic sleep under the illusion of peaceful coexistence. In a more refined strategy, they would like to have us cut all our ties of loyalty with the past, away from relatives and parents. The more you have forsaken them and their so-called outmoded concepts, the better you will cooperate with those who want to take mental possession of you. Every political strategy that aims toward arousing fear and suspicion tends to isolate the insecure individual until he surrenders to those forces that seem to him stronger than his former friends.

And last but not least, let us not forget that in the battle of arguments those with the best and most forceful strategy tend to win. The totalitarians organize intensive dialectical training for their subjects lest their doubts get the better of them. They try to do the same thing to the rest of the world in a less obtrusive way.

We have to learn to encounter the totalitarians' exhausting barrage of words with better training and better understanding. If we try to escape from these problems of mental defense or deny their complications, the cold war will gradually be lost to the slow encroachment of words -- and more words.

*I’m GOD* | **Music**: I’m God (Best Part Looped) — Crystalline

Concluding Thoughts

Resist, resist, resist the I-don’t-care reaction! Push yourself to learn, study, and understand. Run, don’t walk, towards the more intensified desire to study and to understand reaction that Joost A. M. Meerloo talks about. This is the only way we stay free. This is the only way we survive as a species on planet Earth because do you really think demigods like Trump, Putin, and the others really care about your freedoms, about your economic security, about the planet. If you really think they do, well, you’ve been successfully indoctrinated and are riding the barge to the end of the world

Archetypal Animations

Images made on Genolve AI image generation options.

Feature Archetypal Animation

Music: The Baroque Ball (From “Cruella”) [Instrumental] — Roxane Genot

Second Archetypal Animation

Music: Poached Egg – The Namby Pamby

Third Archetypal Animation

Music: Stream Of Consciousness — Coherent Energy

Fourth Archetypal Animation

Music: We Don’t Need No Education — Regent Street

Fifth Archetypal Animation

Music: The Chain (cover) — Marvel Years

Sixth Archetypal Animation

Music: I’m God (Best Part Looped) — Crystalline

November 2, 2022November 3, 2022

Monsters Are Made

We Make Monsters in our Heads

It is a few days after Halloween, and monsters seem to fit the season and the times we live in right now.

A few days before Halloween, I heard an interview on It’s Been A Minute called Our Undying Cultural Obsession with Vampires. And this got me thinking about monsters and how they are made.

In this interview, Kendra R. Parker, who teaches a class at Georgia Southern University about Black vampires in film and literature, discusses the long, sordid history of monsters, especially vampires, and our collective obsession with them.

It is she who said monsters are made. Think Frankenstein, definitely constructed by a human.

And we do this all the time…in our heads simply repeating the stories we tell ourselves that create indelible images, which we then project onto the world we live in. Or better said, the world we wish we lived in.

The Planet We Made

Olafur Eliasson is an Icelandic–Danish artist known for sculptured and large-scale installation art that employ elemental materials such as light, water, and air temperature to enhance the viewer’s experience. He designed the cover of Time this month to highlight our collective climate crisis that will affect and impact everyone on Earth. Rich or poor, everyone will pay a huge price for further dithering and delaying on taking immediate action Now.

Olafur tells Time to create the effect on TIME’s cover, he employed a technique called after imaging. By following the instructions on the cover, when the page changes, your eyes re-imagine our overheated planet in the healthy vibrant greens and blues we, the human race, were born into and began our journey as a species through time.

The Monsters We Make

This same elusive after imaging takes place inside our minds. The images that get stored inside our minds are created by the stories we tell ourselves and the images we consume as ordinary citizens.

These images, let’s call them cultural images, are stored in our minds as belief systems. Beliefs are vastly more complicated images than the one created by Olafur Eliasson for the cover of TIME. However, compared to reality, beliefs are pathetic and paltry.

Belief systems tend to leave far more outside (the evil other) than inside (the person who sees the the world like you do). All of us adopt and cultivate belief systems. They help us know who we can trust. And, they help us survive by acting as short cuts to reality.

By popping your beliefs into a situation, you can just get down to action. Or really reaction to a situation because beliefs allow you to skip the work of hard thinking, critical analysis, and feeling into what you are actually experiencing.

Systems of belief are informed by the families we grow up in, the cultures we live in, and the religions we participate in (or do not participate in). Systems of belief are further evolved and informed by friends, peers, teachers, clubs, politics, and media, among many other sources.

Whether you accept the stories and images imparted to you through these systems, whether you believe them or you don’t believe them, beliefs about how the world is or isn’t are formed and held in the mind very much like the phantom image Olafur Eliasson created on the cover of TIME.

Each and every belief are things you have choose to accept, to believe, and to store in your head. You choose to believe the things you think are true or what you don’t believe or believe to be not true, regardless of whether they are empirically true or not true.

Once you commit to a belief (in other words you swallow an idea hook, line, and sinker), it creates an indelible image of how the world is, which gets overlay onto everything you do and everyone around you. Very much like the elusive image Olafur Eliasson made for the November 2022 cover of TIME. You put them there, and then you project them on the world.

Beliefs are more likes wishes, fears, and desires. They accord with more how we want the world to be rather than how it really is. Our wish/fear/wants live inside our minds and are projected on the world every moment of our lives. They hoover and cling to everything and everyone we come into contact with like a ghostly aura. Depending on what our projected system of beliefs tells us we should believe about a person or a thing that comes into our narrow bandwidth of focused conscious attention, aligns our actions and behavior in the world.

This rather simple ability has oversized implications–some good, some bad. It is an ability that we take for granted as human beings. Our ability to create systems of beliefs is a form of ignorance (ig–nor–ance, what we choose not to see) and it has gotten the better of us. It is what allows us to turn ordinary human beings into monsters or our world into a wasteland.

Kendra R. Parker explains our creation of and fascination with monsters this way:

When Dracula appeared in the 19th century, there was all of this fear, the English were preoccupied with borders, boundaries and nationalism. Between like 1881 and 1900 there was an increase in the number of non-English Jewish people. There was this xenophobia, this fear of Jewish people, this sort of threat of external colonization. And so these fears about the threatening outsider, who is going to come in and disturb the national pure body, finds its way into Bram Stoker's Dracula.

And if we come to the United States in 1898, we have newspaper images popping up out of North Carolina that depict Black men as vampires because there was this fear of Black men. There's this fear of black men being in politics and so that if you got black political power, then they're going to take over and destroy white women and all of that. And so you've got all of this propaganda.

And there are two images in particular. One is called "The Vampire that Hovers Over North Carolina." It appears in 1898, and it's a Black male vampire coming out of a ballot box. And there's another image that same time period in North Carolina where you got vampires coming out of the grave to vote and they're Black. And so there's this fear that if you let these monsters vote, they will take over and destroy our way of life.

Image From: **Southern Cultures**: A War in Black and White: The Cartoons of Norman Ethre Jennett & the North Carolina Election of 1898

The Monsters We Are

When we use our system of beliefs to turn other human beings into monsters, it is ourselves who become the monster. When hate becomes our fuel, then the transformation is complete. The monster has been made.

It is a way of being in the world that leads to Hell. It is the path of destruction, of mayhem, and of death.

It is a way of being in the world that may begin by being suspicious, distrustful, and skeptical. But it can quickly eclipse who you think you are and make you into a person who takes pleasure in being cynical, ghoulish, grisly, and grotesque.

Such a journey is often summed up by the popular phrase — Take The Red Pill. This means a person that falls down a rabbit hole. They start out innocently following juicy breadcrumbs of gossip and plausibly outrageous happens that grow ever more implausible. But once you get hooked on these toxic breadcrumbs carefully left behind by Master Manipulators who are experts in making the implausible sound plausible. Indeed, the Truth that you are willing to die for.

Accused Pelosi Attacker Told Police He Was On A ‘Suicide Mission’

How To Make of a Monster

Step 1) Chop the world into absolutely good and absolutely evil, then choose a role to play in this absolute drama (it goes without saying that whatever side you play on… that is the righteous side, the good guys, the side that is going to slay absolute evil)

Step 2) Select a Mask for the role you will play in the absolute drama to rid the world of absolute evil (make sure you are the Super Hero of your story and everyone else is the bad guy)

Step 3) Strap Your Mask Tightly To Your Face So It Doesn’t Slip or Fall Off (you don’t want anyone to see you are merely human like the people and other living beings you are dehumanizing)

Step 4) Cut Up Bits and Pieces from the World and Other Stories, Then Mash Them Into Your Mask So You Become Unrecognizable Like Camouflage (it doesn’t matter if the bits and pieces make sense anymore, you are creating your super hero version of yourself!)

Step 5) Add Lots of Layers to Your Mask, Be Sure to Use Lots of Devilish Deceit and Deception, More Camouflage to Help You Better Play Your Role (God forbid anyone recognize that you’re really human behind your Fake Persona)

Step 6) Distort, Deform, and Mangle Your Mask to Create Fantastic New Levels of Distractions and Illusions, Even More Camouflage… Fighting Evil Isn’t for Sissies (this will draw others to you — your followers, your zombie army)

Step 7) Forget You Are Wearing A Mask: Now You Are A Monster

**Image From**: Metaflesh by Evan J. Peterson

I have not read this book, Metaflesh. But, the image of the cover is captivating. To me, it perfectly captures how we can turn ourselves into monsters using any system of belief, any one at all. In the land of make believe, nothing is sacred. Once we slip down a rabbit holes inside our minds, the inner Hellish landscape allows us to endlessly violently project onto others what we cannot admit to ourselves that we are.

This is a book review of Metaflesh from where I got the image:

Metaflesh is written by Evan J. Peterson, author of The PrEP Diaries: A Safe(r) Sex Memoir and DragStar!,  the world’s first drag performer role-playing game. Metaflesh is a book of verse and prose from the point of view of Frankenstein’s Monster. The reflections are inspired not only by Mary Shelley’s seminal work (double entendre fully intended) but also by the pop culture descendants of her novel. Sources include a wide variety of Frankenstein/mad scientist movies and song lyrics. The book also contains themes of Jewish folklore, queer culture, camp, and a lot of David Cronenberg-style body horror. The book covers the gamut of the Monster’s experiences through over a century of movies and songs, and portrays the Monster as both gender-fluid and a sort of chimerical film critic, reviewing portrayals of their self through lyric poetry and flash fiction.

This is an ingenious book of metafiction. Just as Dr. Frankenstein cut up different people and stitched the bits together, Peterson cut up and reassembled his sources, turning them into something greater than the sum of their parts. Borrowing from William S. Burroughs cut-up technique, he splices together Mary Shelley’s Frankenstein with F.T. Marinetti’s Manifesto del Futurismo (Futurist Manifesto) and with J. G. Ballard’s essay, “Why I want to F*ck Ronald Reagan.” He apostrophizes the sexually explicit films of avant-garde queer Canadian creator Bruce LaBruce and doesn’t forget to include General Mills’ Frankenberry breakfast cereal or select lines from Mommy Dearest and The Rocky Horror Picture Show.  The combined imagery of classical Greek mythology, white supremacy, drag queens, Judaism, and zombie erotica do not merge into a hot mess but meld together into a deliciously readable book.

This literary retrospective is sad, funny, quirky, surgically precise, and captivating. I was never bored and didn’t skip through parts. I tore through my first reading at speed and have been taking my time through subsequent readings. The only spot which slows me down, pulling me to a frowning halt, is a simile in the poem, “His Name is In Me”:  “gross as the tallest savage.” Although I’m aware that white supremacist imagery is intentionally used throughout the book—punching up, not down—the use of the word “savage” feels out of place here. It is a racial slur used against Black and Indigenous peoples and stands out awkwardly in a poem strongly based in Judaic imagery. If it is a slur used against Jews, I am unaware, but this is my only quibble with the entire book.  -- Book Review: Metaflesh by Evan J. Peterson

Someone Once Told Me

Someone once told me that my blog The StoryTelling Species Series was just a story. He really just wanted to put it down and elevate himself because we were having a very strong disagreement about COVID. I knew he was wrong, but could not explain to him why he was so wrong then.

Now I can. I knew it is the stories we tell ourselves that make us into heroes or villains, good or evil, saints or monsters. Now I know how it happens inside our minds.

Given how susceptible we are to believe our own stories and lies about ourselves, it is best to give all other people the benefit of the doubt and trust they are not the monster you are afraid of… the one that lives inside of you. It is best just be human and to recognize that we have a little bit of good and a little bit of bad inside of us.

It is when we hang onto the evil inside of us and refuse to let go of it that we make ourselves into monsters and turn Earth into Hell. Trust that reality is far more interesting than the stories we tell ourselves about our selves and others.

Trust that you belong here and now with everyone else and that together we can heal ourselves. This is something we can only do together. And if we heal, Earth heals and our burning hot planet may once again shine in its brilliant, beautiful, life sustaining blues and greens!

https://www.sapience2112.com/the-storytelling-species-makers-players-of-reality-bubbles/