Memory Wars: How Society Fails to Deal with Sin

Following are a few things that caught my attention this week, especially since they are relevant to what I am writing about in my novel about the role of consciousness and modern cultures. The first thing is Memory Wars. It is a six-part podcast exploring how society confronts sin. I only heard one episode, but it got me thinking deeply about how societies fail to deal with sin.

Memory Wars: A podcast exploring how society confronts sin

I heard S1E2: The Two Reconstructions that explores the similarities and differences between the Reconstruction that happened in the U.S. after the Civil War and the one that occurred in Germany after WWII.

America’s Antebellum Period

The biggest difference between the two Reconstructions is that after the U.S. Civil War (April 12, 1861 – April 9, 1865), there was no outside agent to oversee the period of Reconstruction following the demise of the Antebellum Period. Countless reparations and services were needed to repair the damage inflicted on nearly 10 million slaves alive at this time.

Between 1525 and 1866, in the entire history of the slave trade to the New World, according to the Trans-Atlantic Slave Trade Database, 12.5 million Africans were shipped to the New World. 10.7 million survived the dreaded Middle Passage, disembarking in North America, the Caribbean and South America. And how many of these 10.7 million Africans were shipped directly to North America? Only about 388,000. That’s right: a tiny percentage. -- How Many Slaves Landed in the U.S.?
by Henry Louis Gates, Jr. | Originally posted on The Root

Slavery started in Jamestown Colony, the founding county of the British Empire in North America. It is also the founding colony for the soon to be United States of America. Slavery grows into a brutal industry that lasts for more than 200 years allowing white men to make tremendous profits and becomes the basis for how the economy works in the United States.

America’s Reconstruction Era | Brief & Incomplete

More than 200 years of slave-based industry has made Americans deeply unwilling to confront the brutal realities of being a nation built by slaves and founded on slave-based economic models. America’s Reconstruction barely got started before it was shut down. America’s Reconstruction era lasted only from 1865 to 1877.

After this, any positive steps made during this very short time were quickly turned around by Jim Crow laws, which quickly crippled and reversed gains made by recently released slaves.

America still hasn’t reckon with its brutal history, racist culture, and slave-based industry specifically designed to make business owners and shareholders rich while keeping ordinary workers poor.

The US has intentionally engineered extreme inequalities and injustices into its systems of governance and business. They are written into laws and US constitution. They are meant to elevate white people above all other people.

There are many white people alive right now who feel they are engaged in a life and death battle to maintain these laws. These individuals are willing go to great lengths of hypocrisy and false piety to justify their sin. Some are willing to die for their beliefs and attack the Capital and Congressmen and women who do not believe like they do.

We’ve been here before. It doesn’t end well. Sin never does.

First Archetypal Animation | Justifying Sin

First Archetypal Animation: What they said they were doing…. What they really did… Justifying Sin | Music: Memory Streams | Portico Quartet | Immediately Visible

Germany’s Reconstruction

In Germany after WWII, the U.S. led Reconstruction efforts.

On April 3, 1948, President Truman signed the Economic Recovery Act of 1948. It became known as the Marshall Plan, named for Secretary of State George Marshall, who in 1947 proposed that the United States provide economic assistance to restore the economic infrastructure of postwar Europe. -- The Marshall Plan (1948)

These efforts included exposing euphemisms Nazis used to mask their antisemitic and racial laws. Nazis did the same thing writing their sin into the German laws and policies. The Nazis were high on their brutal beliefs and worked like steamrollers to implemented their hellish vision in the lead up to WWII. Their fiendish frenzy included:

The 1933 “Law for the Restoration of the Professional Civil Service” forced Jews and political opponents of Nazism out of Germany’s expansive civil service. 

Jurists wrote and enforced laws removing Jews from public service, set their own racialist view of Jewish identity with the “Nuremberg Race Laws,” and eventually enforced laws disenfranchising, despoiling, and ghettoizing German Jews.

A large percentage of the planners of the Holocaust came from the judiciary. Men from the security apparatuses, ministries, and civil services—those groups Hannah Arendt described as “desk murderers” (Schreibtischtäter)—overwhelmingly came from the legal profession, marking just how much every step of the judicial process from training to the highest courts was active in the Nazi regime. -- The Reconstruction of Justice in Post-Nazi Western Germany; article on the continuities of German law and the jurists who spoke out against an authoritarian justice system. 

August 11, 2021

These efforts were laid bare to make Germans reckon with their sin. Lots of Nazis were put on trial, indicted, and executed or imprisoned.

Denazification did not end there. Ordinary German citizens were made to watch Hollywood movies that showed the atrocities committed by the Nazis and drove home the role complacency by ordinary Germany citizens played in the horrors of the Nazi War Machine.

Germans had to watch these movies to receive food or other relief items. German citizens also had to fill out questionnaires that determined the level of their Nazism and this determine what kind of work they were allowed to do.

Denazification of Germany

This video provides a good recap of the positives and negatives of German Reformation efforts.

And it details the differences between what happened in West Germany (implemented by Western Allies) and East Germany (implemented by Russia under Stalin). It brings viewers right up to our current era where the lure of authoritarian governments is looming large again in the minds of so many “modern” people and neo-Nazis are on the rise around the world.

Denazification of Germany after World War II – Cold War Documentary

It is hard not to compare Putin’s outrageous claim that he is Denazifying Ukraine with the speech Hitler gave to the German people just before he invaded Czechoslovakia. He told his people he was reclaiming and reuniting the Deutschland, German speaking parts of Czechoslovakia.

Getting no push back from the rest of Europe, Hitler went on to invade Poland, France, Russia…and ultimately he would have invaded the world if we would have let him.

There is a direct line that needs to drawn by lies Hitler, Stalin (yes, this man was evil), and Putin tell about what they are doing or did. What they are doing is shining their warped beam of beliefs and focusing it into death and destruction.

In other words, these men are sin makers... they are creators of Hell on Earth. They are creatures who are far more deadly and dangerous than any dinosaur.

They are are monsters, not men.

Second Archetypal Animation | The Same Beast

The Same Beast | Music: Hey Putin! Go Fuck Yourself! | WiT | [1] Hey Putin! Go Fuck Yourself!    3:53

Germany faced its horrible past. Can we do the same?

Shortly after the National Museum of African American History and Culture opened in 2016 on the National Mall, I was speaking to some patrons of a successful nonprofit about the importance of candid racial dialogue in politics and in the places we live, work and worship.
One of the participants had recently toured the museum and had a pointed question. Why, she wondered, were all the exhibits that visitors first encounter dedicated to slavery? Among other things, she was referring to a reconstructed cabin built by former slaves from Maryland and a statue of Thomas Jefferson next to a wall with the names of more than 600 people he owned. “Couldn’t the exhibits begin with more uplift?” the woman asked, arguing that Black achievement was more worthy of the spotlight. She suggested that the museum should instead usher visitors toward more positive stories right from the start, so that if someone were tired or short on time, “slavery could be optional.”
Her question was irksome, but it did not surprise me. I’d heard versions of the “Can’t we skip past slavery” question countless times before. Each time serves as another reminder that America has never had a comprehensive and widely embraced national examination of slavery and its lasting impact. Yes, there are localized efforts. But despite the centrality of slavery in our history, it is not central to the American narrative in our monuments, history books, anthems and folklore.

Third Archetypal Animation | How America Just Keeps Justifying Sin: Make America Backwards Again

People Get Use to Anything…After A While People Just Think Oppression is the Normal State of Things” — Make America Backwards Again | Music: Jim Crow the Musical Add-2 | [16] Slave Awareness Skit
There is a simple reason: The United States does not yet have the stomach to look over its shoulder and stare directly at the evil on which this great country stands. That is why slavery is not well taught in our schools. That is why the battle flag of the army that tried to divide and conquer our country is still manufactured, sold and displayed with defiant pride. That is why any mention of slavery is rendered as the shameful act of a smattering of Southern plantation owners and not a sprawling economic and social framework with tentacles that stamped almost every aspect of American life. -- The Opinions Essay: Germany faced its horrible past. Can we do the same? By Michele L. Norris
JUNE 3, 2021

Locked Up: The Prison Labor That Built America’s Business Empires

This episode is presented by Reveal and shows how the American south quickly shut down Reconstruction and reinvented slavery by using the prison system as a new slave labor force. Before the US Civil War, less than 8% of people in prison were black. During the rise of Jim Crowe era and the prison industrial system that rose to replace slave labor, the new of black people locked up skyrocketed to over 75%. Most were incarcerated for petty crimes and sentences to hard labor for months and years. Some would not survive.

Fourth Archetypal Animation | Locked Up — How Jim Crow Created the New Slave Labor

If you live long enough, you get to see things repeat themselves.” | Locked Up: Prison Labor that Built America’s Business Empires | Music: Jim Crow the Musical | Add-2 | [1] Welcome to Jim Crow  
Companies across the South profited off the forced labor of people in prison after the Civil War – a racist system known as convict leasing.
After the Civil War, a new form of slavery took hold in the US and lasted more than 60 years. Associated Press reporters Margie Mason and Robin McDowell investigate the chilling history of how Southern states imprisoned mainly Black men, often for minor crimes, and then leased them out to private companies – for years, even decades, at a time. The team talks with the descendant of a man imprisoned in the Lone Rock stockade in Tennessee nearly 140 years ago, where people as young as 12 worked under inhumane conditions in coal mines and inferno-like ovens used to produce iron. This system of forced prison labor enriched the Tennessee Coal, Iron & Railroad company – at the cost of prisoners’ lives. 
At the state park that sits on the former site of the Lone Rock stockade, relics from the hellish prison are buried beneath the soil. Archeologist Camille Westmont has found thousands of artifacts, such as utensils and the plates prisoners ate off. She has also created a database listing the names of those sent to Lone Rock. A team of volunteers are helping her, including a woman reckoning with her own ancestor’s involvement in this corrupt system and the wealth her family benefited from.   
The United States Steel Corporation helped build bridges, railroads and towering skyscrapers across America. But the company also relied on forced prison labor. After US Steel took over Tennessee Coal, Iron & Railroad in 1907, the industrial giant used prison labor for at least five more years. During that time, more than 100 men died while working in their massive coal mining operation in Alabama. U.S. Steel has misrepresented this dark chapter of its history. And it has never apologized for its use of forced labor or the lives lost. The reporters push the company to answer questions about its past and engage with communities near the former mines. 

Behind the Lie of Monopoly 

“We’re born into the world and think the world is simply the way we are born into it.” — One of the guests on Throughlin’s History of the Game Monopoly

Fifth Archetypal Animation | Monopoly…More Than A Game

Monopoly, So Much More Than A Game… If We’d Only See | Music: Master of the Game (Expanded Edition) | George Duke | [9] Part 1-The Alien Challenges The Stick/Part 2-The Alien Succumbs To The Macho Intergalactic Funkativity Of The Funkblasters

Monopoly is one of the best-selling board games in history! It was actually created to get people to think about real life monopolies and how they impact real peoples daily lives.

Most people just love to play Monopoly because it is fun, especially if you need a distraction from the stress and monotony of earning enough money to buy your daily bread.

How Monopoly has been marketed to us is probably why we often don’t notice the deeper messages embedded in the game.

In this episode of Throughline, the narrators explore the origins and history of Monopoly. It’s not what you think. In fact, it reveals how a critique of capitalism grew from a seed of an idea in a rebellious young woman’s mind who created this legendary game that celebrates wealth at all costs. But behind the legend, we’ve been told a lot of lies; one was the theft of a young woman’s brilliant idea.

There's more to Monopoly than you might think. It's one of the best-selling board games in history — despite huge economic instability, sales actually went up during the pandemic — and it's been an iconic part of American life at other pivotal moments: a cheap pastime during the Great Depression; a reminder of home for soldiers during WWII; and an American export during its rise as a global superpower. It endured even as it reflected some of the ongoing inequities in American society, from segregation and redlining, to capitalism run rampant. That's because Monopoly is also built on powerful American lore – the idea that anyone, with just a little bit of cash, can rise from rags to riches. Writer Mary Pilon, the author of The Monopolists: Obsession, Fury, and the Scandal Behind the World's Favorite Board Game, describes Monopoly as "the Great American Dream in a board game – or, nightmare." -- Do Not Pass Go (2022) | Throughline

Conclusion

We are responsible for noticing Sin. When we see it, we must name it. Sitting and watching from the sidelines is no longer an option.

We are responsible for paying attention to what is going inside and outside of our bodies.

If we misrepresent and falsify our sinful actions or fail to act to stop sin when we see it inflicted on others, we are whitewashing reality. This is sin and only leads us further down the road of turning Earth into Hell.

Feature Archetypal Animation

Image from: SEPTEMBER 4, 2018 | The Bible Condemns American Slavery
by Jesse Johnson
Image from: Why the West is morally bound to offer reparations for slavery |The Conversation

Music: Still Living In Slavery | Mr Raoul K | [1] Dounougnan Magni – Intro    2:41


First Archetypal Animation

Image from: Uncle Tom’s Cabin as a Religious Text
BY PATRICIA R. HILL, DEPARTMENTS OF HISTORY & AMERICAN STUDIES, WESLEYAN UNIVERSITY
Image from: Why the West is morally bound to offer reparations for slavery
This cartoon, “The Modern Mercury” by Jerry Doyle, appeared in The Philadelphia Record, December 7, 1935. 
Image from: World War II: The Holocaust | ALAN TAYLOR |  OCTOBER 16, 2011 | The Atlantic

Music: Memory Streams | Portico Quartet | Immediately Visible


Second Archetypal Animation

Image from: Canada in WWII | Adolf Hitler
Image from: The image of Stalin in the Soviet art
Image from: Tinker Tailor Soldier Hacker: The Russian Factor In the DNC Email Scandal | Wilson Center

Music: Hey Putin! Go Fuck Yourself! | WiT | [1] Hey Putin! Go Fuck Yourself!   


Third Archetypal Animation

Image from: Germany faced its horrible past.
Can we do the same?
— Washington Post

Image from: Swiggity the Single

Other images from January 2022 and 2021 blogs.

Music: Jim Crow the Musical Add-2 | [16] Slave Awareness Skit   


Fourth Archetypal Animation

Image from: Locked Up: The Prison Labor That Built Business Empires
Image from: Locked Up: The Prison Labor That Built Business Empires | Look at the one black man sitting on the ground surrounded by white men with guns who worked for Lone Rock stockade where the relics from the hellish prison are buried beneath the soil today.
Image from: Locked Up: The prison labor that built business empires in the South, including Tennessee by NewsChannel 9
Image from: Locked Up: The prison labor that built business empires in the South, including Tennessee by NewsChannel 9
Image from : In the galleries: Gordon Park’s photos from the Jim Crow-era South — Washington Post
Image from: Jim Crow in Florida — Florida Humanities

Music: Jim Crow the Musical | Add-2 | [1] Welcome to Jim Crow    1:11


Fifth Archetypal Animation

Play Board Game Monopoly Money Trade Hobby | pcdazero | Gianni Crestani  •  Age 58  •  San Bonifacio/Italia  •  Member since Jan. 28, 2012

Dog Top Hat Pet Canine K9 Dressed Up Puppy | Prettysleepy | Amy  •  USA  •  Member since July 24, 2016

Monopoly Monopoly City Los Excavator Pewter Token | dboschm | Deutsch  •  Member since April 10, 2013

Monopoly Money Power People Rich | GDJ | Gordon Johnson  •  USA  •  Member since June 3, 2015  •  #4

Monopolies Puglia Church Chiesadelpurgatorio | magrimax | massimo magri  •  Age 64  •  pescara/italia  •  Member since July 27, 2018

Satan’s Sister & Santa Claus

Field of Souring Souls

Satan’s sister slithers through fields of drying, souring souls…

Satan’s Sister | Music: Dance with the DeadMoon Runner | Images: girl pyramid head; Pyramid head woman on the field; Lady Pyramid Head (Cassandra W); Sorceress/Witch

Sundering Sinners

Seeking sinners to pluck and pulverized into a poison…

Hel Feasts Tonight | Music: Al Bid-Aya — Jedi Mind Trick | Images: HEL goddess of by LeneMa7991; Morrigan, Goddess of Death; Hel- The Norse Goddess of Death; Morrighan – Celtic Goddess of Death; Delire- Goddess of the Fallen

Santa’s Spiked Glögg

That she uses to spike Santa’s holiday Glögg.

Santa’s Spiked Glögg | Music: Evil Christmas Carols (Panda Smash Presents). Sean Wesche. Album. 2006. | Images: Santa Claus Having a Christmas Drink (Free Photos); Dumbledore (The Ending Of Harry Potter And The Half-Blood Prince Explained); Albus Dumbledore (Michael Gambon) suffers in excruciating pain (Division and Disloyalty: Ignoring Our Friends’ Wishes – and Our Own); Albus Dumbledore, the headmaster of Hogwarts School of Witchcraft and Wizardry, played by Richard Harris
 (Warner Brothers); Smashed Santa Claus (Too Much to Drink)

Archetypal Image Analysis

First Archetypal Image:

Is Satan’s sister good or bad?

Your answer is unique and utterly up to you based on your attitudes, beliefs, upbringing, and current circumstances. At first, as I searched for images of what Satan’s sister might look like, I had no idea of what I might be looking for.

I wondered whether she should look ugly like a wicked witch, gender neutral, or bewitchingly beautiful.

I stumbled upon Félicien Rops (a Belgian artists who lived between 1833 – 1898) finding his uncanny image of Satan. I found it on a poetry website and immediately thought–sure this could be what Satan’s sister looks like–sinister, sterile, and scary.

Satan Semant l’Ivraie’ – Félicien Rops (Belgian, 1833 – 1898) | National Gallery of Art

I felt I was definitely on the right track, but sought a clearer image. As I searched for one, I stumbled upon Pyramid Girl. I knew at once this was a better rendering of Satan’s sister. She is beguilingly beautiful and utterly alien at the same time–a spine-chilling duality exists about her.

Then, I found another Pyramid Head Woman in a field. This was the next line of my poem, which sealed the deal this was the image I was searching for.

Pyramid head woman on the field [1920 × 1080]

I have never encountered Pyramid Woman before, but obviously she is well-known by others and depicted as a victim and an invincible warrior. I felt this duality was another key aspect to be embodied by Satan’s sister. I found two more images embodying these qualities created by an artist at the Stan Winston School of Character Art. Here I learned her apron is made of human skin, very creepy indeed and a perfect outfit for Satan’s sister.

The last image used in the archetypal animation just grabbed me. I suppose it is all the gold and skeletons. Satan’s sister would certainly be involved in collecting the dead. She would also be a devilish seductress–beautiful and scary at once.

Sorceress, witch, art, skeleton, golden, stairs, yannick bouchard, woman, fantasy, mayan, girl, skull, HD wallpaper

So this is the process for how the first archetypal animation was created.

What does it mean?

That is something for you to fill in.

During his life, Carl Jung came to understand all human beings share common archetypal patterns of behavior and belief as demonstrated through customs, rituals, and myths. Certain recognizable psychological patterns and images appear over and over again between cultures and times. They live deep inside the psyche of all human beings and contain collective memories that pop into action when of specific circumstances and situations are encountered. They act much like instincts do, but archetypal patterns are more like instincts altered by consciousness.

Jung described archetypes as empty templates ready to be filled by the psychic forces triggered into action by external events. These invisible templates provide imprints of all the possibilities and consequences of choices and actions triggered by the situation.

The music for this archetypal image provides vital context and background like a fantastic fabric for space-time beings to experience things. This music is fabulous, providing texture, vibrance, and life to the image. It is Moon Runner by Dance With the Dead.

DANCE WITH THE DEAD — Moon Runner | 76,253 viewsMar 1, 2014

Second Archetypal Image:

Does she sunder souls for pleasure?

Again, the answer is up to you.

In creating this image, my search took me into the realm of mythic goddesses. It did not take long to understand many of the goddesses associated with death carry the blade of time with them. Death is inevitable as a mortal being and the goddesses associated with death embody this reality.

The Goddess Kali is the Divine Mother in Hinduism and known to be fierce and cause destruction of all evils, including ignorance. She is considered to be the master of death, time and change. When I found this image of Morrighan, my search focused in on the Celtic and Nordic goddesses of death.

Morrighan — Celtic Goddess of Death

“Morrighan is also known as Phantom queen or Morrigu. In Irish mythology, she is known as the Goddess of Death, who is associated with mainly war, battle, and death. She is also famous because of her foretelling death in the battle. Because of her association with war and battles, she is also known as a great warrior who determines which warriors walk off the battlefield.” — 21 Gods & Goddesses of Destruction, Death & Underworld

Hel is another goddess of death rising from the myths of the Nordic peoples.

Hel — The Norse Goddess of Death

“She is the ruler of the underworld and death. She is the daughter of Loki and Angrboda. Her appearance is pretty hard to explain, but it is half blue and half flesh-colored with some gloomy texture downside. She has a hall called Eljudnir, and it is a strong belief in Norse Mythology that it is the hall where mortals go who do not die in battle but of natural causes or sickness.” 21 Gods & Goddesses of Destruction, Death & Underworld

This is another compelling rendering of Hel drawn by LeneMa7991.

Germanic Gods: HEL goddess of death

And this is another depiction of Morrigan that I found on the website of The Druid Way.

The Irish Morrigan, Goddess of Death and Guardian of the Dead

Another goddess of death I found was Delire. She is not the goddess of Death in general, but instead the goddess of the Fallen, much like the valkyries of Norse mythology.

Delire | “You have served well soldier. It’s time to retire.”

Back to the Eastern Mind

The last element of the archetypal animation is the music, which circles us back to the eastern mind and the wisdom of the upanishads that are treatises on Brahman-knowledge, which is knowledge of Ultimate Hidden Reality. I chose the song Al Bid-Aya by Jedi Mind Tricks from their album The Bridge and the Abyss. It is haunting and beautiful and utterly perfect for this topic if you listen to their official video of this song.

Al Bid-Aya | 122,715 views, Jun 21, 2018

Third Archetypal Image:

Why is Santa’s Glögg spiked?

For the third archetypal image, I baffled myself with its own imagery. Why is Santa popping into this otherwise dark and haunting poem? And why is Satan’s sister spiking his holiday Glögg with the broken up bits of sinners?

Perhaps Santa is serving somewhat like a cosmic hero of goodness and good cheer. He has so much of it, he is able to consume dangerous amounts of collective sin down to the dregs on behalf of all of us to ease our misery and allow for a time of good cheer. This though made me think of Dumbledore who drank the poisoned water so Harry could destroy a ‘horcrux’–a thing of great evil that if not destroyed would led to the downfall of everyone they know and love.

This last archetypal animation is the most elusive to take accounting of for it veers straight into the Christmas season–a time when many people make a considerable effort to show a spirit of good cheer and collective good will. Why? Because it is a time when Christians celebrate the birth of Jesus; however, as an excellent Washington Post article points out, ‘Dec. 25 is not the date mentioned in the Bible as the day of Jesus’s birth; the Bible is actually silent on the day or the time of year  when Mary was said to have given birth to him in Bethlehem. The earliest Christians did not celebrate his birth.

This article further states the first celebration of Jesus’ birth took place ‘around 200 A.D. — to have taken place on Jan. 6. Why? Nobody knows, but it may have been the result of “a calculation based on an assumed date of crucifixion of April 6 coupled with the ancient belief that prophets died on the same day as their conception,” according to religionfacts.com.’

It was moved to December 25 to piggy back on pagan celebrations (such as “The Golden Bough”) that occurred during this time. Especially as practiced by the fierce and wild tribes of northern Europe–the Celtics, the Norses, and many other germanic tribes who celebrated the shortest day of the year, which signaled the return of light to their barren and frigid northern lands.

Good Olde St. Nick

Christmas underwent a further transformation with the elevation of St. Nicholas as a patron saint of Christmas. He was a real man, a Bishop, who lived in the fourth century in a place called Myra in Asia Minor (now called Turkey). He was known for helping the poor and giving secret gifts to people who needed it.

Image from the St. Nicholas Center | www.stnicholascenter.org | The Man Behind the Story of Father Christmas/Santa Claus

Christmas took another dramatic turn with the popularization of Santa Claus as the legendary man who encircles the world in one night flying in his sleigh to give good boys and girls around the world presents and delights. Holiday specials such as Santa Claus Is Comin’ To Town, which showed the transformation of the real man St. Nicholas into the superhero Christmas giver of cheer and goodwill worldwide.

Santa Claus Is Coming!

It is a delightful Christmas story. One I watched every year as a child for Christmas just wouldn’t be Christmas without Frosty, Rudolph, and Santa Claus!

Santa Claus Is Comin’ to Town — The Full Movie | 7,476,556 views

So what is up with this spiking Santa’s tea with the broken up bits of sinners, obviously people who were not on Santa’s Good List to get toys and presents at Christmas time.

Santa and Dumbledore

Is this image referring to the self-sacrificing ability of some individuals who are capable of far more good deeds than the rest of us to ease our burden for a time?

This idea reminded me of Dumbledore drinking the poison water so Harry could destroy another ‘horcrux’. Perhaps Santa and Dumbledore represent a certain type of individual, or better yet, these characters are archetypes of a powerful curative force that lives inside of us and allows a human being to endure pain and suffering, even unto death, for the good of others.

This seemed to be on the right trail and so the images I found included these.

Image from Freepik: Santa having a drink

This definitely could be Santa enjoying a holiday Glögg left out for him. Then, images of Dumbledore to establish the connection between the two.

Albus Dumbledore, the headmaster of Hogwarts School of Witchcraft and Wizardry, played by Richard Harris
 (Warner Brothers) | JK Rowling defends Dumbledore on Twitter: Seven things you might not know about the Hogwarts headmaster — A look beyond the half-moon glasses at the Harry Potter franchise’s most enigmatic character
Image BY SYDNEY BAUM HAINES/JUNE 15, 2021 10:05 PM EST | The Ending Of Harry Potter And The Half-Blood Prince Explained

The Purpose of the Poison

And of course Dumbledore drinking the poison, which turns out to be the most important image and article of everything explored here.

Image from: Division and Disloyalty: Ignoring Our Friends’ Wishes – and Our Own | Featured image: Albus Dumbledore (Michael Gambon) suffers in excruciating pain in Harry Potter and the Half-Blood Prince (2009) as he swallows the harmful potion he made himself drink. ‘This potion might paralyse me, might make me forget why I’m here, might cause me so much pain I beg for relief. You are not to indulge these requests. It’s your job, Harry, to make sure I keep on drinking this potion, even if you have to force it down my throat.’ Like Dumbledore, we make promises which we go on to contradict, creating fascinating ethical dilemmas for those around us. (Warner Bros. Pictures)

This article, Division and Disloyalty: Ignoring Our Friends’ Wishes — and Our Own that was written by James Clark Ross and published 21 April 2020, is what my psyche was trying to convey to me as I assembled the final animation for this very short and not very good poem. He writes:

We like to think of ourselves as unified agents. With apparent clarity, we take ownership of who we are and the decisions we make. But we are misled. Clarity assumes consensus; and, underneath ‘ourselves’, motivations divide us.

Of our conscious thoughts, we form beliefs which immediately retreat, dematerialise, or mutate beyond recognition into new tokens. Of our unconscious desires, feelings pass by and vanish, having never really existed. Who we are—what we believe and what we desire—is unstable, uncertain, and transient.

This is troubling. For how can we be sure that one part of ourselves persists through time? We can only claim who we are on unsteady ground.

More, are we in conflict? If we don’t coordinate our motivations with unity, disloyalty will always be within us: we will always be fighting ourselves.

Who will your friends side with?

Welcome to a lesson on division and disloyalty.

Division and Disloyalty: Ignoring Our Friends’ Wishes – and Our Own

by James Clark Ross, 21 April 2020

Who Are We Really?

Clark is getting at the division raging inside of ourselves. Jung also spoke of this inner divide saying:

The greatest sin is to be unconscious.”

— C.G. Jung quotes from Quotefancy.com

Our world is very complicated and most of us are taught to operate in it like very small, spoiled children. We are taught to not question the system but to go to work at nine, come home at 6, squeeze all the housework, time with children, spouse or friends into 4 or 5 hours, go to sleep, wake up and do it again. Why? So we can be good consumers for the system that we must depend upon to sustain us or else we can’t go on.

But should we really want to go on? Is our current system of a modern life really so great? Is it so glorious and so out-of-this-world that we are willing to commit to most of our adult life to being good and obedient consumers? Is that what we really want?

Alan Watts often posed this question, what do you really want? Do we really want to play the social games of who is the boss, who can have more and who should have less, going to work at places that are mind numbing and super boring only to get laid off when we get too old or its not convenient (Nomadland captures this reality brilliantly).

NOMADLAND | Official Trailer | Searchlight Pictures |7,704,318 viewsDec 14, 2020

What Do We Really Want?

For most of us living in modern Western societies, we wake up one day (at the far end of 50 something) and realize–my life has been a great big drag.

Dopedreamz & Alan Watts – Life’s A Drag ft. Ty and Nick Swan | 179 views, Jul 1, 2013
Happiness is NOT the Meaning of Life – Alan Watts | 1,183,376 views, Feb 27, 2018

If we ever wake up, we may realize we’ve been consuming and entertaining ourselves to death. Thus, the passed out Santa Clause by the fire place.

Image from People are leaving Santa milk over traditional sherry because he’s changed his ways

The final element of this archetypal animation, a musical piece with a diabolical edge –the Evil Christmas Carols.

Frosty’s Death March | 179 viewsOct 28, 2015

Nevertheless — Please Have A Very Happy Holidays However You Celebrate

And know it’s never too late…

A Christmas Carol 2009 Christmas Day Scene | 162,224 views, Jul 1, 2019